Lots of little gems in John Seabrook’s 1994 New Yorker profile of Bill Gates, but this note stuck with me particularly. The story itself is an interesting case in how you write about something new. The article still stands up, more or less, but so many of the ideas that are revelatory to Seabrook at this specific moment in history—email, the internet, even computers and software—became so normal so soon after. How can you capture […]
• Brocken spectres are the terrifying ghosts that appear when you cast a shadow on a cloud that has a light source behind it. • Marcin Wichary is getting ready to launch his many–years-in-the-making book about keyboards, Shift Happens. The effort and dedication to making this thing is visible in every element of how he has put it together, including the book’s delightful website. • Did you know the CIA has a museum?
There are many ways to become invisible. If you’re a person you can try to go underground, take yourself off the grid. If you are a new US military bomber, you can use the laws of physics and materials science to stay off the radar. And if you are a glass frog, you can simply turn your blood transparent. We’re transfixed by invisibility, the art of disappearance. It’s magical. Sometimes that absence is a problem: […]
• Laura Hazard Owen’s Nieman Lab piece on what journalism will lose if Twitter goes away brought many of the costs of the current drama together in one place. I’ve downloaded my data and mothballed my account. • Sorrow compounded when I finished reading Lincoln in the Bardo. I’d picked it up after hearing George Saunders interviewed by Alexis Madrigal on KQED radio, having enjoyed A Swim in the Pond in the Rain last year […]
Joan Didion, for all her complexities, continues to have… a moment? No, it’s too extended for that. And she was too anxious, too awkward for it. Still, it’s happening: even though she died last year, her words keep coming. Even her stuff keeps coming. I loved this explanation of hers, from a talk (via Lithub) that’s in her book released earlier this year. It’s those obsessions that shape what we are, really. Underneath we’re the […]
• Weird, the Al Yankovic Story was brilliantly stupid. This is a group of people living their best life: Weird Al just having a ton of fun, Daniel Radcliffe continuing to go off. (Asked recently by a Guardian reader “Do you just tell your agent: “As long as it’s weird, I’m in?””, he replied that his approach to scripts was: “If you sit down and lecture somebody on how shame keeps us from love, that’s […]
You can call it on the Golden Age of Podcasting™: it’s over, it’s done. What started, sort of, with Serial has come to an end—and not just because Adnan finally got out. After a blossoming of studios and projects over the last decade, things hit a plateau when the services all rolled up into a handful of dominant players, and we are now going through an inevitable and depressing dip as the dominance turns into […]
I loved hearing Annie-B Parson talk about choreography on the Time Sensitive podcast—particularly her work over many years with David Byrne. Parson has worked on a large number of projects in the past two or three decades, culminating in American Utopia (I saw the show when it was on its original tour, totally fascinating.) But the most interesting part was that she now came to see all of those works as, ultimately, the same piece. […]
Despite working in Hollywood, an industry that loves to create culture via the medium of checking boxes—screenwriter Charlie Kaufman has made a career out of avoiding those boxes completely. Being John Malkovich; Adaptation; Eternal Sunshine of the Spotless Mind; Synecdoche, New York. After reading a Twitter thread from Casey Johnston, I went down a Kaufman rabbit hole and found this 2011 speech in which he talks about screenwriting. But really it’s just about creating, full […]
The great gear shift in digital music took little more than a decade. But distributing music is different to funding media.
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